MUSEUM DUNIA MAYA DR IWAN S.
Dr IWAN ‘S CYBERMUSEUM
THE FIRST INDONESIAN CYBERMUSEUM
MUSEUM DUNIA MAYA PERTAMA DI INDONESIA
DALAM PROSES UNTUK MENDAPATKAN SERTIFIKAT MURI
PENDIRI DAN PENEMU IDE
Dr IWAN SUWANDY, MHA
The Driwan’s Cybermuseum
(Museum Duniamaya Dr Iwan)
The Malaysia legend singer Salmah Ismael Music Record
Parlopone Malay record
singer: Salmah Ismael
Song: 1.Lengang Kangkong Baru(P.Ramlee) 2.Sekapor sirih seulas pinag(P.Ramlee) from film Semerah Padi
Orchestra :Osman Achmad
vintage Picture collections
Puan Sri Salmah binti Ismail or better known as Saloma (22 January 1935 – 25 April 1983) was a Malaysian singer and film actress. She was the third wife of the film actor, director, singer, and songwriter Tan Sri P. Ramlee.
Saloma died on 25 April 1983 at Assunta Hospital, Petaling Jaya, Selangor, Malaysia. She was buried at Jalan Ampang Muslim Cemetery, Kuala Lumpur next to the grave of her husband
Puan Sri Datin Amar Salmah binti Ismail,AMN or better known as Saloma (22 January 1935 – 25 April 1983) was a Malaysian film actress and singer. She was the third wife of the film actor, director, singer, and songwriter Tan Sri P. Ramlee.
Salmah was born on 22 January 1935 at Pasir Panjang, Singapore. Coming from a family with artistic leanings (both her sisters Mimi Loma and Mariani were famous actresses on their own right), she displayed histrionic talents of her own as a singer at weddings and family events at 13. As she became more well-known in Singapore she joined the Panca Sitara Group, a band of musicians under the leadership of P. Ramlee. Around this time she also sang with the Kalung Senandung Group at Radio Singapura and entertained acting offers in musical films of the era, usually playing P.Ramlee’s love interest and/or the village ingenué.
Legend has it that her stage name was coined by Run Run Shaw of Shaw Bros when the film Salome which starred Rita Hayworth hit the box office. Other opinions favored the story that the name was given to her by her future husband P. Ramlee. They were married in 1961 and were widely regarded as the first true power couple of the Malaysian film industry. Apart from her artistry, Saloma was also famous as a screen beauty: her hourglass figure, magnificent hairdos and iconic kebaya dresses were copied by young ladies of the 60’s.
the end @ copyright Dr Iwan suwandy 2011